Dakwah Digital dalam Komik Line Webtoon Laa Tahzan: Don’t Be Sad dalam Perspektif Semiotika

Authors

  • Ahmad Rofi Syamsuri STID Dirosat Islamiyah Al-Hikmah Jakarta
  • Sunaryanto STID Dirosat Islamiyah Al-Hikmah Jakarta
  • Afnan Nadjib Helmy STID Dirosat Islamiyah Al-Hikmah Jakarta

DOI:

https://doi.org/10.53678/elmadani.v4i02.1460

Keywords:

Digital Da'wah, Line Comics, Web Ton Laa Tahzan, Semiotics

Abstract

Line Webtoon comics can be used as a digital da'wah tool that conveys da'wah messages through a cultural approach. But the problem is, even though it can be used as a means of digital da'wah, Line Webtoon Comics actually develop through industrial interests and media capitalism. The industrialization process for Line Webtoon Comics can develop well because the process uses what is known as glocalization. This research analyzes the meaning of digital da'wah in the Line Web Comic Ton Laa Tahzan: Don't be Sad episodes #88 #89#90 and #116. The research method used is textual analysis with semiotic theory. This research found digital preaching in The Line Webtoon: Laa Tahzan Don't Be Sad in four episodes, namely using matchsticks, glasses, hijab, beach, translated text of the Koran and hadith. The markers used in the four episodes are Arno, Hatta, Uda Sheng, Aliya and Aya. The signs used are learning, discipline, knowledge, patience, honesty, not lying, the power of Allah SWT, piety, faith, power of Allah SWT, surrender to Allah SWT, mistakes towards Allah SWT, injustice towards Allah SWT. If we conclude, the meaning of digital preaching of this comic is divided into three important points, namely aqidah, morals and muamalah. The denotational meaning is the importance of knowledge, the importance of fasting, the meaning of the tarawih prayer rakat, and the prohibition of shirk towards Allah SWT. The current connotation means that Muslims have not yet developed knowledge, fasting that has not been practiced properly, conflict due to differences in the rakats of tarawih prayers, and shirk towards Allah SWT.

References

Abdullah, Muhammad Qadaruddin. Cetak Biru Mahir Berdakwah: Mengubah Dakwah Biasa Jadi Wah! Diedit oleh Awal Syaddad. Sulawesi Selatan: CV. Kaaffah Learning Center, 2018. http://repository.iainpare.ac.id.

Alfandi, Muhammad. “Prasangka: Potensi Pemicu Konflik Internal Umat Islam.” Walisongo: Jurnal Penelitian Sosial Keagamaan 21, no. 1 (2013): 113–40. https://doi.org/10.21580/ws.21.1.239.

Bakti, Andi Faisal. “Tradisi Tafsir Al-Qur’an dan Kontroversi Hermeneutika sebagai Metodologi Exegesis.” In Jurnal Studi A-Qur’an. Jakarta: Pusat Studi Al-Qur’an, 2006.

Barthes, Roland. Mythologies. London: Paladin, 1957.

Basori, Alif, dan Handriyotopo. “Komik Webtoon ‘Yaa Bunayya’ Sebagai Penyampaian Pesan Ketagwaan Remaja Muslim.” CITRAWIRA: Journal of Advertising and Visual Communication 3, no. 2 (2022): 151–68. https://doi.org/10.33153/citrawira.v3i2.4637.

Berger, Arthur Asa. “Semiotics and Society.” Society Vol. 51, no. 1 (2014): 22–26. https://doi.org/10.1007/s12115-013-9731-4.

———. The Objects of Affection Semiotics and Consumer Culture. New York: Palgrave Macmillan, 2010. https://doi.org/10.5860/choice.48-3685.

Branston, Gill, dan Roy Stafford. The Media Student’s Book. 3 ed. London and New York: Routledge Taylor & Francis Group, 2003.

———. The Media Student’s Book. 5 ed. London and New York: Routledge, 2010.

Bunt, Gary R. Islam in the Digital Age: E-Jihad, Online Fatwas and Cyber Islamic Environtments. London: Pluto Press, 2003. https://doi.org/10.2307/j.ctt18fs6ck.14.

Chandler, Daniel. Semiotics the Basics. 2 ed. London and New York: Routledge Taylor & Francis Group, 2006.

Danesi, Marcel. Messages, Signs, and Meanings: A Basic Textbook in Semiotics and Communication Theory. Diedit oleh Marcel Danesi. 3 ed. Toronto: Canadian Scholar’s Press Inc, 2004.

Dapertemen Pendidikan Nasional. Kamus Besar Bahasa Indonesia. 3 ed. Balai Pustaka, 2007.

Fairozi, Ahmad, dan Sulistya Ayu. “Digitalisasi Dakwah: Upaya Meningkatkan Daya Saing Islam di Era Pandemi.” Jurnal Bimas Islam 13, no. 2 (2020): 307–44. https://doi.org/10.37302/jbi.v13i2.265.

Fakhruroji, Moch. Islam Digital Ekspresi Islam di Internet. Bandung: Sajjad Publishing, 2011.

Flick, Uwe. Designing Qualiative Research. Diedit oleh Uwe Flick. London: Sage Publication Ltd, 2007.

Han, Muhamad Ibtissam. “Representasi Anak Muda Gaul dan Saleh dalam Gerakan Hijrah: Analisis Semiotika Roland Barthes atas Konten Akun Instagram Pesan Trend Pemuda (@pesan_trend).” El Madani: Jurnal Dakwah dan Komunikasi Islam 2, no. 01 (2021): 101–20. https://doi.org/10.53678/elmadani.v2i01.192.

Handaru, Bara Izzat Wiwah. “Tantangan Agama di Era Globalisasi: Analisis Strategi Komunikasi, Karakteristik dan Materi Dakwah.” El Madani: Jurnal Dakwah dan Komunikasi Islam 2, no. 1 (2021): 1–24. https://doi.org/10.53678/elmadani.v2i01.188.

Helmy, Muhammad, dan Risa Dwi Ayuni. “Komunikasi Dakwah Digital?: Menyampaikan Konten Islami Lewat Media Sosial Line ( Studi Deskriptif Pada Akun Line 3Safa ).” Jurnal Ilmu Komunikasi 2, no. 1 (2019): 23–29. https://ojs.uniska-bjm.ac.id/index.php/mutakallimin/article/view/3417/2295.

Hidayati, Lailatul Fitriyah, dan Yunda Presti Ardillas. “Spasialisasi dalam Industri Komik Digital: Integrasi Horizontal dan Vertikal dalam Line Webtoon.” Jurnal Komunikasi, Masyarakat dan Keamanan (Komaskam) 3, no. 2 (2021): 29–41.

Hoerotunnisa, Yazida Ichsan, Fifin Al Fionita, dan Faradina Nur Setianingsih. “Difusi Dakwah Digital di Era Covid-19 Bagi Generasi Millenial.” ?ALI?A: Jurnal Pendidikan & Agama Islam 4, no. 2 (2021): 155–70. https://staitbiasjogja.ac.id/jurnal/index.php/saliha/article/view/163/115.

Ida, Rachmah. Studi Media dan Kajian Budaya. Jakarta: Prenada Media Group, 2014.

Jang, Wonho, dan Jung Eun Song. “Webtoon as a new Korean wave in the process of glocalization.” Kritika Kultura, no. 29 (2017): 168–87. https://doi.org/10.13185/KK2017.02908.

Khaidar, Muhammad, dan Taufiq Al Hakim. “Makna Positif dalam Foto Selebgram Anak (Semiotika dalam Foto Instagram @aishwa_nahla, @ayashaputri dan @retnohening).” INTERAKSI PERADABAN: Jurnal Komunikasi dan Penyiaran Islam 2, no. 2 (2022): 235–60. https://doi.org/10.15408/interaksi.v2i2.29414.

Lengauer, Dayana. “Sharing Semangat Taqwa: Social Media and Digital Islamic Socialities in Bandung.” Indonesia and the Malay World Vol. 46, no. 134 (2018): 5–23. https://doi.org/10.1080/13639811.2018.1415276.

Lestari, Annisa Fitriana, dan Irwansyah. “Line Webtoon Sebagai Industri Komik Digital.” Source: Jurnal Ilmu Komunikasi 6, no. 2 (2022): 134–48. http://jurnal.utu.ac.id/jsource.

Levy, Patricia. “Introduction.” In The Oxford Handbook of Qualitative Research, diedit oleh Peter E. Nathan, David H. Barlow, dan Patricia Leavy. New York: Oxford University Press, 2014.

Lupton, Deborah. Digital Sociology. London and New York: Routledge Taylor & Francis Group, 2015.

Lynn, Hyung-gu. “Korean Webtoons: Explaining Growth.” Asia Pacific Memo 16 (2016): 1–13. https://apm.sites.olt.ubc.ca/files/2016/02/HG-Lynn-Korean-Webtoons-Kyushu-v16-2016.pdf.

Margolis, Eric. “Visual Semiotics: Key Features and an Application to Picutre Ads.” In Sage Handbook of Visual Research Methods, diedit oleh Eric Margolis dan Luc Pauwels. London: Sage Publication Ltd, 2011.

Marwantika, Asna Istya. “Tren Kajian Dakwah Digital di Indonesia: Sistematic Literature Review.” In Proceeding of The 1st Conference on Strengthening Islamic Studies in the Digital Era (FICOSIS), Vol. 1. Fakultas Ushuluddin, Adab dan Dakwah, Institut Agama Islam Negeri Ponorogo, 2021. https://prosiding.iainponorogo.ac.id/index.php/ficosis/article/view/37/36.

Meodia, Arindra, dan Jafar M. Sidik. “LINE Hadirkan Webtoon, Platform Digital bagi Pecinta Komik.” Diakses 27 Desember 2023. https://www.antaranews.com/berita/495706/line-hadirkan-webtoon-platform-digital-bagi-pecinta-komik.

Miles, Matthew B., A. Michael Huberman, dan Johnny Saldana. Qualitative Data Analysis: A Methods Source Book. 3 ed. London and New York: SAGE Publications, 2014.

MS. Gumelar. Comic Making: Membuat Komik. Diedit oleh Bambang Sarwaji. Jakarta: PT. Indeks, 2011.

Mukhlisuddin. “Peran Penyuluh Agama Islam dalam Mereduksi Konflik dan Mengintegrasikan Masyarakat (Studi Kasus Konflik Pelaksanaan Shalat Tarawih di Kecamatan Bandar Dua Kabupaten Pidie Jaya).” Jurnal Bimas Islam 9, no. 1 (2016).

Mutrofin. “Dakwah Melalui Youtube: Tantangan Da’i di Era Digital.” Jurnal Komunikasi Islam Vol. 08, no. 2, Desember (2018): 341–57. https://doi.org/10.15642/jki.2018.8.2.341-357.

Nasrullah, Rulli, dan Novita Intan Sari. “Komik sebagai Media Dakwah: Analisis Semiotika Kepemimpinan Islam dalam Komik ‘Si Bujang.’” Jurnal Ilmu Dakwah 6, no. 1 (2014). https://doi.org/10.15575/jid.v6i1.325.

Nasution, Muhammad Raihan. “Da’wah of Digital Era Applicative Study: Qs. An-Nahl: 125 on Millennial Generation.” Budapest International Research and Critics Institute (BIRCI-Journal)?: Humanities and Social Sciences 2, no. 2 (2019): 380–91. https://doi.org/10.33258/birci.v2i2.312.

Patty, Fryna Sepvania Vanoni. “Pengaruh Media Webtoon Ramadhan 2017 Terhadap Minat Remaja SMA Hang Tuah 1 Surabaya Pada Pesan Dakwah.” Skripsi S1, Program Studi Komunikasi dan Penyiaran Islam, Fakultas Dakwah dan Komunikasi, Universitas Islam Negeri Sunan Ampel Surabaya, 2018.

Rachman, M. Faizal. “Analisis Isi Pesan Dakwah dalam Webtoon ‘Laa Tahzan: Don’t Be Sad’ Episode #71-#80 di Line Webtoon.” Skripsi S1, Program Studi Komunikasi dan Penyiaran Islam, Fakultas Dakwah dan Komunikasi, Universitas Islam Negeri Sunan Ampel Surabaya, 2019.

Randa, Ilham. “Laa Tahzan?: Don’t Be Sad.” Diakses 23 Mei 2022. https://www.webtoons.com/id/challenge/laa-tahzan-dont-be-sad/list?title_no=103808&page=7.

Renjith R. “The Effect of Information Overload in Digital Media News Content.” Communication and Media Studies 6, no. 1 (2017): 73–85.

Romario, dan Lisda Aisyah. “Komik Islam di Media Sosial Instagram: Dakwah Kreatif Melalui Komik.” Islamuna: Jurnal Studi Islam 6, no. 2 (2019): 98–119. https://doi.org/https://doi.org/10.19105/islamuna.v6i2.2588 KOMIK.

Rosalia, Maria, Nanang Krisdinanto, dan Brigitta Revia Sandy Fiesta. “Analisis Semiotika Tentang Penggambaran Orang Pedalaman pada Film Indonesia.” Communicatus: Jurnal Ilmu komunikasi 3, no. 2 (2019): 43–60. https://doi.org/10.15575/cjik.v3i2.6541.

Rose, Gillian. Visual Methodologies: An Introduction to Researching With Visual Materials. Diedit oleh Robert Rojek. 4 ed. London: Sage Publication Ltd, 2016.

Rubawati, Efa. “Media Baru: Tantangan dan Peluang Dakwah.” Jurnal Studi Komunikasi Volume. 2, no. Ed 1, March (2018): 126–42. https://doi.org/10.25139/jsk.v2i1.510.

Rusadi, Udi. Kajian Media: Isu Ideologis dalam Perspektif, Teori dan Metode. Jakarta: PT. Raja Grafindo Persada, 2015.

Rustandi, Ridwan. “Cyberdakwah: Internet Sebagai Media Baru Dalam Sistem Komunikasi Dakwah Islam.” Nalar: Jurnal Peradaban dan Pemikiran Islam 3, no. 2 (2019): 84–95. https://doi.org/10.23971/njppi.v3i2.1678.

Sari, Cucu Indah. “Nilai-Nilai Akhlak Dalam Webtoon ‘Laa Tahzan: Don’t Be Sad’ (Analisis Semiotika Roland Barthes).” Skripsi S1, Program Studi Komunikasi Penyiaran Islam, Fakultas Dakwah, Universitas Islam Negeri Prof. K.H. Saifuddin Zuhri Purwokerto, 2022.

Shim, Aegyung, Brian Yecies, Xiang (Tony) Ren, dan Dingkun Wang. “Cultural intermediation and the basis of trust among webtoon and webnovel communities.” Information Communication and Society 23, no. 6 (2020): 833–48. https://doi.org/10.1080/1369118X.2020.1751865.

Siregar, Abu Bakar Adenan. “Islamisasi Ilmu Pengetahuan.” Jurnal Fikrah 6, no. 2 (2015): 91–100. https://core.ac.uk/download/pdf/53036600.pdf.

Steiner, Peter. “Structuralism and Semiotics.” New Literary History 12, no. 3 (1981): 415–35. https://doi.org/10.2307/1573906.

Sukarman, Raharjo, dan Fatah Syukur. “Deradikalisasi Agama di Era Digital Melalui Pendidikan Islam.” Journal of Islamic Studies and Humanities 4, no. 2 (2019): 171–86. https://doi.org/http://dx.doi.org/10.21580/jish.42.4734 DERADIKALISASI.

Sunaryanto. “Dakwah Digital dalam Meme Ajakan Shalat Jum’at: Perspektif Semiotika.” Interaksi Peradaban: Jurnal Komunikasi dan Penyiaran Islam 2, no. 2 (2022): 124–50. https://doi.org/10.15408/interaksi.v2i2.26331.

Sunaryanto, Ahmad Adnan, dan Muthia Izza Azhari. “Membaca Mitos dan Ideologi Homoseksual dalam Drama 2gether The Series: Perspektif Semiotika.” Al-I’lam; Jurnal Komunikasi dan Penyiaran Islam Vol. 7, no. 1 (2023): 74–94.

Sunaryanto, dan Ade Fadli Fachrul. “Semiotika Berita Kerusuhan Tolikara di Media Online.” Gandiwa Jurnal Komunikasi 1, no. 2 (2021): 24–40. https://doi.org/https://doi.org/10.30998/jg.v1i2.870.

Sunaryanto, dan Ahmad Rofi Syamsuri. “Semiotika Dakwah Digital dalam Meme Ajakan Salat Jumat.” Komunida: Media Komunikasi dan Dakwah 12, no. 02 (2022): 1–22. https://doi.org/10.35905/komunida.v7i2.http.

Ummah, Athik Hidayatul. “Dakwah Digital dan Generasi Milenial.” Tasâmuh: Jurnal Komunikasi dan Pengembangan Masyarakat Islam 18, no. 1 (2020): 54–78. https://journal.uinmataram.ac.id/index.php/tasamuh/article/view/2151.

Williamson, Judith. Decoding Advertisements Ideology and Meaning in Advertising. New York: Marion Boyars Publishers Inc, 1979.

Zadeh, Shahnaz Khademi, Afagh Ghareh Veisi, dan Masomeh khademi Zadeh. “Do we live an information society? Does it matter?” International Journal of Advanced Research 1, no. 3 (2013): 362–66. https://www.researchgate.net/publication/328448948_Do_we_live_an_information_society_Does_it_matter.

Zamzamy, Ahmad. “Menyoal Radikalisme Di Media Digital.” Dakwatuna: Jurnal Dakwah dan Komunikasi Islam 5, no. 1 (2019): 13. https://doi.org/10.36835/dakwatuna.v5i1.318.

Downloads

Published

2023-12-30

How to Cite

Syamsuri, A. R., Sunaryanto, & Helmy, A. N. (2023). Dakwah Digital dalam Komik Line Webtoon Laa Tahzan: Don’t Be Sad dalam Perspektif Semiotika. El Madani : Jurnal Dakwah Dan Komunikasi Islam, 4(02), 103–126. https://doi.org/10.53678/elmadani.v4i02.1460